IMAGES (be able to identify these images by title, general time period, medium, and culture of origin)​

22- 5  Isenheim Altarpiece (closed)
22- 6  Isenheim Altarpiece (open)
22-7 The Four Horsemen of the Apocalypse
22-8 Adam and Eve
22-19 Burial of Count Orgaz
22-20 Garden of Earthly Delights (open)
22-21 Garden of Earthly Delights (closed)
22-25 Return of the Hunters
22-26 The Harvesters
p. 706 The French Ambassadors

​You should be familiar enough with other images presented in the text and lectures, so as to be able to support explanations of attribution and physical, formal, iconographical, and contextual analysis.

VOCABULARY:

• Memento mori
• Anamorphic

IMAGES (be able to identify these images by title, general time period, medium, and culture of origin)

19-1 Double Portrait of Giovanni Arnolfini and his Wife (see also 19-13)
19-06 February
19-07 January
19-12 Man in Red Turban
19-10 Mérode Alatarpiece (Triptych of the Annunciation) (open)
19- 14 Ghent Altarpiece (closed)
19-15 Ghent Altarpiece (open)
19-27 The Buxheim St. Christopher
19-28 The Temptations of St. Anthony
p. 592 - Woodcuts and Engravings on Metal
19-29 The City of Nuremberg

You should be familiar enough with other images presented in the text and lectures, so as to be able to support explanations of attribution and physical, formal, iconographical, and contextual analysis.

IMAGES (be able to identify these images by title, general time period, medium, and culture of origin)

21-1 Raphael's "School of Athens" (see also p. 642)
21-5 da Vinci's "Mona Lisa"
21-6 da Vinci's "Vitruvian Man"
21-9 Michelangelo's "Pieta"
21-10 Michelangelo's "David"
21-11 Interior, Sistine Chapel
21-19 Bramante, Il Tempieto
21-23 de'Rossi's "Joseph and the Potiphar's Wife"
21-28 Titian's "Venus of Urbino"
21-33 Bronzino's "Allegory with Venus and Cupid"
21-38 Michelangelo's "Last Judgment"
21-39 St. Peter's Basilica, Vatican
21-40 Il Gesu, Rome, plan and facade
​
You should be familiar enough with other images presented in the text and lectures, so as to be able to support explanations of attribution and physical, formal, iconographical, and contextual analysis.

IMAGES (be able to identify these images by title, general time period, medium, and culture of origin)

20-2 Florence Cathedral
20-5 Ospidale degli Innocenti
20-6 Infant in Swaddling Clothes
P. 603: 20-9 & 20-10 Competition panels for the doors of the Florence Baptistery
20-14 Donatello's "David"
"Gates of Paradise": 20-16 & 20-17
20-19 Masaccio's "Trinity"
20-22 Masaccio's "The Tribute Money"
20-24 Paolo Uccello's "The Battle of San Romano" (see also, detail 20-1)
20-34 del Verrocchio's "David"
20-40 Botticelli's "The Birth of Venus" (see also, p. 628 "Primavera)

You should be familiar enough with other images presented in the text and lectures, so as to be able to support explanations of attribution and physical, formal, iconographical, and contextual analysis.